Saturday, February 21, 2026

Why I don't do commissions

    I hate commission work and refuse to do it. That's it I said it the cats outa the bag. This is the point when everyone.. especially people who don't paint freak the fuck out and proceed to intensely lecture me on how this is what artists do and that I'm not a real artist if I don't paint commissioned work. How I need to learn the business of art and how you know the real master painters were part of the elite court and that's what made them so rich and respected (love how they only bring up this argument with art only and not medical practices hahah) if they keep lecturing after I say the medical thing well then now I'm triggered and there is no going back. Art Rant Activated. 

    This is a sore subject because of my past experiences. I too once read Robert Green (oooh you just wait guys.. have a got a hot take on those books in regard to art.. but that's for a later post) and thought that that's the ultimate goal of the artist is to become valued by the upper classes. To have the upper classes commission portraits and to be invited to their portrait commission unveiling events. Mannn was I wrong because life experience showed me that the integrity of my work and my time is what's most import to me.. and as a fellow artist, that is what you should value most. Let me explain..

    Anytime Ive had a commission everything starts off great. The buyer says "I love your work.. paint anything just in your style, I know I'm gonna love it because I love your work!" Ok great! I make the study mock up.. they may ask for a few small changes that's totally normal and expected cause I can't read their minds and I want to make something that they will like. So I make the adjustments and show them the edited sketch. They say ok great let's do that!

    This is the beginning of the end. Studio doomsday. Because what happens next is that they start calling with what they think are purely genius ideas.. "T you know what would be great? If we added two people to that landscape!! And I think if I were to paint it I would want it to actually be an oval!! An oval canvas!! Like how cool is that?? That's no problem right? Oh and I was also thinking that I want to add text.. like those banners that the planes fly at the beach? You know the ones with the beer adds? Yeah those are cool! I think the people would really love that!! Oh and here is a picture of my dog can you paint that in too. Hope that's not too much to ask :) we look forward to seeing the updated sketch!"

    Mind you.. we agreed on a simple landscape painting at studio price, no people, no text, no beach and certainly no planes, beer, or pets!!!! What the actual fuck. I think this happens because people love art and think that once they've payed an artist.. the artist is like their person AI generative bio printer.. that can paint whatever nonsense they dream up. 

    At first I would feel soo guilty for canceling the commission.. because the buyer is excited about my work and art income is soo inconsistent that it's like rejecting your blessings. But are commissions actually a blessing or an artists nightmare in a financially enticing disguise? 

    Let's look at it from a business stand point.. since the whole "wealthy elite adjacent artist" is the first point people bring up. Business is about providing a product that provides value and is financially profitable for the business owner. As an artist my studio is my business. I make beautiful paintings about my life experiences, people relate to the imagery and they buy my art. It's a simple process and I've always had sales. So as my dad says "if it ain't broken don't fix it." The business plan is working just fine, everyone is happy. 

    So why would I interrupt this process to waste my time on something that I didn't have much say in, that was "designed" by someone who has no idea of what they actually want, a client who is asking for changes weekly and its not even a guarantee that they will pay the remainder of the price once the painting is done? Plus it will be their style of work in the end and I wouldn't even put it on my website.. because 1. it doesn't look like my work and 2, if its good then I'd be stuck doing commissions indefinitely.

    I recently had this happen and I was venting to an art school friend that works for a major major design firm. Sometimes I really feel like God and the universe sends you people to professionally confirm what you were already thinking, you just gotta be open to it. He said that they work with artists and deal with commissions all the time and at their firm the client signs a contract that allows them 3 alterations to the art work and that's it. OMG that makes too much sense! I knew I wasn't the only artist loosing their mind over unreasonable client demands and constant changes. 

    So thats how art business actually works with commissions but back to the painting studio as a business topic. I once read Tim Ferriss 4-Hour Work Week where he talks about how to optimize your business for efficiency and there he says 90% of your clients will be great but you will waste the most time trying to please the perpetually unsatisfied %10. People chase 100% client success but that's impossible. So we waste our recourses trying to satisfy the demands of the unhappy 10%. Ferriss advises to ditch the 10% for the sake of the business and the business owners mental health. Which is soo right because I was nearing entering a depressive episode trying to make this commission work. I think Ferriss knows way more about business, time management and resources than some "kings court of the past" ever could.

    And one last point.. commissions waste your time. When I was younger and still searching for who I was.. I felt like I had all the time to wonder and do side quests for the learning experience. But now at 38.. I know exactly who I am, what I like and don't like, what's my aesthetic and the message I want my art to project. I have sooo many painting ideas and imagery and life experiences to paint about and sooo little time! Like we actually don't have much time on this Earth as artists and we have an intense desire to bring as much beauty into the world as possible! A Memento Mori moment.. if there ever was one. Time is an artists greatest resource and vulnerability and at the same time and I refuse to waste a minute of it on things that don't contribute to my art. I didn't spend years to learn this amazing skill to have someone tell me what I should and shouldn't paint.

RIP to commissioned work and Happy Painting guys :)











Sunday, February 8, 2026

Selling on Etsy

  First things first... this is NOT a "how to make money selling your art on online/etsy/ebay" how-to post. 
I separate my art income from my day job and I don't recommend anyone to live off the inconsistent income of art sales. I treat my art sales income as a tax return.. when it comes in it's a great bonus.. but I don't rely on it monthly.

So with that out of the way, what makes Etsy a great e-commerce site for artists?

    Fine Art aside.. lets evaluate Etsy as an e-commerce company
    Etsy has had solid growth as a stock since they went public in April 2015 at $16 a share, currently the stock is priced at $131 a share.


    Etsys marketing invests heavily in search engine optimization of their listings and provides a great user experience for the shopper. Unlike other art selling websites Etsy is a household name. Even my parents who are super low tech and they buy random bits and bobs from there. This means most people already have an Etsy account and are familiar with its user friendly shopping experience. 

    So with Etsy being a well known, accessible, search engine optimized profitable company with a strong stock buy rating why are painters not using it to sell works? Im sure this aversion to online art sales comes from romanticism of a  "time when painting was true and free of consumerist" "tech devalues fine art on a material level" "mysterious artists studio" and the idea of "if its real fine art, the buyer has to go thru a sacrifice to obtain it" -add all those points together and thats a recipe for how not to feel your art lol.

Also these ideas are completely false
The myth of the master painters of the past were low tech, isolated, is completely false. They were masters because they were ahead of their times! With technology innovations, sales, ideas, philosophy.. 

1. If the value of my work solely relies on it being difficult to acquire.. then is my painting even that good?
2. Paintings too are one-of-a-kind handmade objects
3. It allows access to an artists studio and a closer look at the painting process because we can sell small sketches and practice studies.

One more thing.. the "craft" elephant in the room. Etsy is known for selling hand made things... and "handmade" and . Which I don't get.. because paintings too are HANDMADE!! If anything art is the definition of OOAK (one of a kind) creation. 


Finally.. I just have to say this.. famous art sales sites haven't been updated in years it seems. The interface isn't user friendly and they are difficult to use. I get a feeling that fine art sites are just another way to gate keep fine art from the public.. it's difficult to even find my own paintings on there!! And as the artist I know what gallery is showing my work and have all the information to search!! 

Long Art Rant short.. put your work out there and make an art studio Etsy page! It will help you empty out your art studio and make smaller work more accessible.



Happy Painting!
Taissia


Tuesday, January 17, 2023

My first online painting journal entry


The more I paint the more I realize that painting is a very isolating profession. The unspoken rule of an artists studio practice is it should be shrouded in secrecy and mystery. Paintings should just appear out of ether of inspiration and no-one should ever see the techniques used to paint them. Basically if it's not mysterious it can't be great art. This makes it near impossible to find the technically necessary knowledge needed to paint. 

I lucked out with my professors in undergrad because they loved painting so much that they wanted to share their knowledge with the next generation of artists. Whether through live demos, books, museum visits these professors wanted to pass on the Painting Secrets of The Old Masters. It was through these books that I learned to paint on an advanced level.

Josep Albers Interaction of Color, Dalis Secrets of Magic Craftsmanship/Diary of a Genius and Delacroix journal guided me through painting after getting my BFA. This is when I realized that this myth of secrecy in painting doesn't exist. The artists who were most technically skilled all wrote and shared their process!! They kept the master painting secrets alive not only in their work but also in diaries, where they also shared their studio practice and thoughts on daily life. 

Thats when it hit me! In 2023 a straight from the studio blog is the present day equivalent of a painters journal!! I bet if Delacroix was alive now.. he would be posting about his painting ups and downs, favorite paints, painting models, or even lunches and daily walks... and thats what I plan to do here! To pull back the curtain on a painters life and share what I have learned about oil painting in the 20 years Ive been studying it. Painting IS a very isolating career but it doesn't have to be! I love the process of painting and I just have to share it. There is so much joy in finally solving a drawing issue, coming up with a new series of work, talking about my favorite pigments, studio hacks, oil mediums, inspirations, art shows, books....  I could go on.. and on.. and on.. but I'll stop here. 

Welcome to my studio journal, see you in the next entry 


Happy painting!
Taissia



Why I don't do commissions

     I hate commission work and refuse to do it. That's it I said it the cats outa the bag. This is the point when everyone.. especially...